Dance For Haiti

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History, stuck on bad loop, repeated itself, with the back to back double whammy of a violent political coup (the assassination of Haitian President Jovenel Moรฏse on July 7th by foreign mercenaries, whose investigation is still unresolved and which left the country’s institutions paralysed and unable to deliver their most basic functions), followed by the catastrophic 7.2 magnitude earthquake that affected the entire Southern Peninsula of Haiti on the 14th of August 2021, I decided to put together a four part mix series with some of my favourite Haitian artists, with the aim to raise funds towards the country’s road to recovery.

One of the most culturally and musically rich countries in the world needs our help urgently!!

As reflected in these four mixes, totalling nearly seven hours of extremely deep and varied music (and yet barely scratching the surface), from traditional and modern ๐˜ณ๐˜ข๐˜ณ๐˜ข to ๐˜ฏ๐˜ฐ๐˜ถ๐˜ท๐˜ฆ๐˜ญ ๐˜ซ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜บ๐˜ฐ๐˜ฏ, via ๐˜ฌ๐˜ฐ๐˜ฏ๐˜ฑ๐˜ข ๐˜ฅ๐˜ช๐˜ณ๐˜ฆ๐˜ฌ, ๐˜ฎ๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜จ๐˜ถ๐˜ฆ, ๐˜Š๐˜ณ๐˜ฆ๐˜ฐ๐˜ญ๐˜ฆ ๐˜ด๐˜ฐ๐˜ถ๐˜ญ, ๐˜ˆ๐˜ง๐˜ณ๐˜ฐ ๐˜ฑ๐˜ฐ๐˜ฑ, ๐˜ฎ๐˜ช๐˜ป๐˜ช๐˜ฌ ๐˜ณ๐˜ข๐˜ด๐˜ช๐˜ฏ, ๐˜ช๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜ง๐˜ถ๐˜ฏ๐˜ฌ, ๐˜ท๐˜ฐ๐˜ฅ๐˜ฐ๐˜ถ and ๐˜Š๐˜ข๐˜ณ๐˜ช๐˜ฃ๐˜ฃ๐˜ฆ๐˜ข๐˜ฏ ๐˜ซ๐˜ข๐˜ป๐˜ป, Haiti is, without a doubt, one of the most culturally and musically rich countries in the world – and it needs our help urgently.

Read more about the earthquake here:

If you like what you hear (and even if you don’t!), please consider ๐ƒ๐Ž๐๐€๐“๐ˆ๐๐† ๐๐„๐‹๐Ž๐–. These two ONG are 100% sure and trusted:

– ๐…๐Ž๐Š๐€๐‹ (Fondasyon Konesans Ak Libรจte or Foundation for Knowledge and Liberty) is a Haitian foundation established in 1995 which supports smallholder farmers associations, grassroots womenโ€™s organizations and small local ethical enterprises that are true first responders on the ground as well as the best agents to strengthen grassroots network, self-care communities, local advocacy and economic recovery. Read more and ๐ƒ๐Ž๐๐€๐“๐„ here: https://ademen.org/fokal-haiti-relief-fund/

– ๐“๐„๐‘๐‘๐„ ๐’๐Ž๐‹๐ˆ๐ƒ๐€๐ˆ๐‘๐„ (read more and ๐ƒ๐Ž๐๐€๐“๐„ here: https://ccfd-terresolidaire.org/)

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  • MUST WATCH: the great 1987 documentary Haiti Dreams of Democracy directed by Jonathan Demme. The film captures a key moment in the countryโ€™s history, as its people celebrate the fall of dictator Jean-Claude Duvalier regime and express cautious hope for a democratic future. Music is the filmโ€™s beating heart, which includes notable performances from street drummers, Les Frรจres Parents, and the legendary protest singer Manno Charlemagne.

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May music continue to be one of the weapons of resistance!

โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข

  • Part I (La Sirรจne):

โ€ขโ™ซโ€ขโ™ฌโ€ข ๐™๐™๐˜ผ๐˜พ๐™†๐™‡๐™„๐™Ž๐™ โ€ขโ™ฌโ€ขโ™ซโ€ข

– Coupeฬ Cloueฬ – Message
– Anderson Cameau – Mr. Trumpet
– Pie 1 – M’ Rinmin Musik
– Exile One – Funky Crookie
– Volo Volo – Do It
– Scorpio Universel – Tande (Nouvelle Version)
– Dadou Pasquet et le Magnum Band – Cฬงa’n Pense de Cฬงa
– Clifford Sylvain – Rara Machine
– Raoul Denis Jr – Ti Gason (Fe Respew’)
– Fedia Laguerre – Division
– Albert Chancy – Master Mind
– Claudette et Ti Pierre – Rouleฬ Ron’ N
– Gardner Lalanne et les Loups Noirs – La Sireฬ€ne
– Masterful D’Haiti – Ama Ghedon
– Safari Combo – Carida
– Gemini All Stars – Neg Kont Neg
– Compas Express – Faux Prophรจte
– Farah Juste – Mole St Nicolas

โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข

  • Part II (Tรจt Colรฉ):

โ€ขโ™ซโ€ขโ™ฌโ€ข ๐™๐™๐˜ผ๐˜พ๐™†๐™‡๐™„๐™Ž๐™ โ€ขโ™ฌโ€ขโ™ซโ€ข

– Georges Loubert Chancy – Be Ready
– Farah Juste – Haรฏti Demain
– Caribbean Sextet – La Pesonโ€™n
– Simon Jurad & Freres Dejean – Telephono
– Anderson Cameau et son Groupe Kalalou – Mon Cadeau
– Tuco Bouzi et le Dixie Band – Tuco’s Salsa
– Les Freฬ€res Dejean – Yoyo
– Les Ambassadeurs – Homenaje A Los Ambajadores
– Digital Express – Makey Makaw
– Deutz – Vie d’Artiste
– Macho Band – Old Fashion
– Orchestre Tropicana D’Haiti – Espoir
– J.B.Nemours – Compas-A
– Les Gypsies de Pรฉtion-ville – Reproche
– Les Difficiles de Peฬtion-ville – Ce La Vie
– Pie 1 – Teฬ€t Coleฬ

โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข

  • Part III (Tribulations):

โ€ขโ™ซโ€ขโ™ฌโ€ข ๐™๐™๐˜ผ๐˜พ๐™†๐™‡๐™„๐™Ž๐™ โ€ขโ™ฌโ€ขโ™ซโ€ข

– Toto Bissainthe – Nous Gouvernerons La Roseฬe
– Farah Juste – Histoire D’Haiti
– Boukan Ginen – Ede M Chante
– Boukman Eksperyans – Se Kreyo’l Nou Ye
– Magic Connection Music Stars – Rara Magic (Tribulations)
– Boukman Eksperyans – Pwazon Rat
– Jean-Baptiste Bonga – Kolรฉ Legba
– Dixie Band – Africa
– Exile One – Which One Is Me Home?
– Les Vikings D’Haiฬˆti – Vikings En Joie
– Les Fantaisistes D’Haiti – Panno Caye Nan Bois Cheฬ‚ne
– Trio Select avec Gesner Henry – Plein Caille
– Toto Necessite – Cail La Mandeฬ Rouseฬ
– Universel Channel 10 – Lโ€™Humanitรฉ
– Jan Klo’ Wenodo – Universel Compas
– Anderson Cameau – Ou Lan Magouye
– Reginald Policard – Mwen Pa Sou Biof
– Caribbean Sextet – Mete Gacon Sou Ou
– Bossa Combo – Courage

โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข

  • Part IVย (Pil Ou Fas):

โ€ขโ™ซโ€ขโ™ฌโ€ข ๐™๐™๐˜ผ๐˜พ๐™†๐™‡๐™„๐™Ž๐™ โ€ขโ™ฌโ€ขโ™ซโ€ข

– Jephtรฉ Guillaume – Pitit Soley (daughter of the sun)
– Manno Charlemagneโ€“ Ayiti Pa Fore (Haiti Is Not A Forest)
– Jephte Guillaume – Kote Moun Yo
– Boukan Ginen – Neg Anwo
– Emeline Michel – Plezi Mize
– Toto Bissainthe – Soufleฬ€ Van
– Farah Juste – Soleฬ
– Soleฬ€y Leฬveฬ – Ansanm Ansanm
– Claudette et Ti Pierre – Gacฬงon Ce Coq
– Raoul Denis Jr – Sunshine Rythm
– Scorpio Universel – Baby I Love Your Way
– Les Freres Parents And The Neville Brothersโ€“ Konbit (Working Together)
– Masterful D’Haiti – I Am Sorry
– Skah Shah – Vinn Danse
– Trio Select & Coupe Cloue – Cribiche
– Super Choucoune Soleil D’Haiti – La Vie Aux Antilles
– Les Pachas Du Canapeฬ Vert – Patience
– Les Loups Noirs – Pile Ou Face
– Zรจklรจ – Pil Ou Fas
– D.P. Express – David
– Farah Juste – Gonayiv Oh
– Randy Kerber & Jowee Omicil – La Gonave

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โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข โ€ขโ™ซโ€ขโ™ฌโ€ข

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And here’s an ever growing Dance For Haiti playlist featuring all of the above songs and many more.

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Frustrating but Necessary Chat about [๐‚๐จ๐ฉ๐ฒ๐ซ๐ข๐ ๐ก๐ญ ๐œ๐ฅ๐š๐ข๐ฆ]

Looking to reach a wider audience, I also uploaded those mixes on YouTube, which I don’t usually do (mixcloud and soundcloud are more suitable platforms for that). Within a fewย  weeks the first three parts of the series had been blocked by the lovely folks at CD Baby, who represent some of these artists’ copyrights, and who, rather unbelievably, prefer blocking and preventing the music from being heard instead of monetising the video and transferring the ad revenues to the relevant artists.

Read below (or head to FB) for the full lowdown of what happened and how incredibly backwards and outdated those copyright laws are:

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“๐˜ˆ๐˜ง๐˜ต๐˜ฆ๐˜ณ ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ช๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฅ๐˜ช๐˜ด๐˜ฑ๐˜ถ๐˜ต๐˜ฆ, ๐˜Š๐˜‹ ๐˜‰๐˜ข๐˜ฃ๐˜บ ๐˜ฉ๐˜ข๐˜ด ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ฐ๐˜ฑ๐˜บ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ ๐˜ช๐˜ด ๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜ท๐˜ข๐˜ญ๐˜ช๐˜ฅ”.
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“I recently started publishing a series of mixes focusing on Haitian music and artists, with the sole aim to raise funds to help Haiti’s recovery efforts in the aftermath of the devastating earthquake of the 14th of August 2021. I usually post such mixes on either soundcloud or mixcloud, but for this particular project I thought it would make sense to also publish on YouTube as the platform has a much bigger audience, and this could potentially help raise more funds.
Of course I do not own any copyrights of the tracks featured in those mixes, but Iโ€™d imagined that any copyright claims on any of those tracks would generate revenue (even if extremely little) to the relevant artists through monetisation (ads) of the video.
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This would actually make a lot of sense. The artists/their representative get their share, the more streams the more revenue (still very little of course) for those artists, and the more funds and donations can potentially be raised through increased exposure.
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However it is far from being that simple.
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Most artists donโ€™t actually own their copyrights, and even the ones who do are usually represented by publishers who – usually – collect the ad revenues and eventually transfer them accordingly (after taking their share of course). Not ideal, but better than nothing at least.
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What I didnโ€™t anticipate is that some of these publishers choose NOT TO monetise the video (and hence to not collect income), preferring instead to BLOCK THE VIDEO FROM BEING SEEN WORLDWIDE.
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No one gets paid, no money gets raised. Who benefits from this?
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CD Baby has done exactly this on the aforementioned mixes, as the company happens to represent the rights of ๐Œ๐ข๐ง๐ข ๐‘๐ž๐œ๐จ๐ซ๐๐ฌ, the label which is home to many Haitian artists Iโ€™ve included.
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Hereโ€™s how they described themselves:
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โ€œlargest global distributor of independent music, the largest publishing rights administrator in the world, one of the most trusted names in the music business, and the go-to educational resource on topics such as music marketing, rights management, and more. CD Baby is proud to work on behalf of 700k+ recording artists, helping them build a better bridge between their creativity and all the revenue sources they need to start or sustain a successful career in music.โ€
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When I received the copyright claims telling me the video got blocked, I reasoned that this had been done automatically through bots, and that if I were to raise a dispute and explain my case with a ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ, surely the copyright strike would be taken down. After all, whatโ€™s the point of FORBIDDING people from hearing the music in question, artists from getting paid, and funds from being raised, when there is a system in place (even if biased towards big companies) that can identify the music played and assign the royalties in question to the matching publishers and label owners?
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I disputed the claim, explained the case in details (there is a category loosely defined by YT as ๐…๐š๐ข๐ซ ๐”๐ฌ๐ž, whereby a user can use (sic) copyrighted content in certain circumstances. Nothing is really clear, but if Fair Use doesnโ€™t come into play in this particular case, when would it ever be?
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โ€œ๐˜ˆ๐˜ง๐˜ต๐˜ฆ๐˜ณ ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ช๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฅ๐˜ช๐˜ด๐˜ฑ๐˜ถ๐˜ต๐˜ฆ, ๐˜Š๐˜‹ ๐˜‰๐˜ข๐˜ฃ๐˜บ ๐˜ฉ๐˜ข๐˜ด ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ฐ๐˜ฑ๐˜บ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ ๐˜ช๐˜ด ๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜ท๐˜ข๐˜ญ๐˜ช๐˜ฅ.โ€
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How this benefits the artists, let alone the people in need in Haiti, is beyond me. Talk about a (yet another) double whammy.
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YT and CD Baby are only parts of the problem here, but it’s a big one. Copyright law is so outdated itโ€™s beyond ridiculous. One would think that it shouldnโ€™t be too difficult to implement a system whereby the artists can get a fair share for their works, be it through a standalone clip, a DJ mix or any video using copyrighted material!

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